{"id":14852,"date":"2025-11-17T01:03:06","date_gmt":"2025-11-17T01:03:06","guid":{"rendered":"https:\/\/atriumphilosophicum.es\/home\/?post_type=yada_wiki&p=14852"},"modified":"2025-11-17T01:57:36","modified_gmt":"2025-11-17T01:57:36","slug":"ethica","status":"publish","type":"yada_wiki","link":"https:\/\/atriumphilosophicum.es\/home\/wiki\/ethica\/","title":{"rendered":"ETHICA"},"content":{"rendered":"

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MEDVLLA PICTA<\/span> ***<\/a><\/strong><\/span><\/p>\n\n

Imagen<\/span><\/h1>\n
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Perge ad initium paginae huius<\/a><\/p>\n
Inscripci\u00f3n<\/span><\/h1>\n
\u0112thica<\/span><\/p>\n
La \u00e9tica<\/span><\/p>\n
\u1f29 \u1f20\u03b8\u03b9\u03ba\u03ae<\/span><\/p>\n
Die Sittenlehre<\/span><\/p>\n
Moral Philosophy<\/span><\/p>\n
Perge ad initium paginae huius<\/a><\/p>\n
Epigrama<\/span><\/h1>\n
Latina<\/span><\/h2>\n
\u0112thica<\/span><\/p>\n
V<\/span>\u012b<\/span>ta h\u00e6c est via; s<\/span>\u012b<\/span>ve bivium, litter\u00e6 p<\/span>\u0233<\/span>thagoric\u00e6 Y; sinistr<\/span>\u014d <\/span>tr<\/span>\u0101<\/span>mite l<\/span>\u0101<\/span>tum (1), dextr<\/span>\u014d, <\/span>angustum (2). Ille viti<\/span>\u012b <\/span>(3) est; hic, virt<\/span>\u016b<\/span>tis (4).<\/span><\/span><\/p>\n
Adverte, juvenis! (5) Herculem imit<\/span>\u0101<\/span>re. Sinistram (6) linque, vitium <\/span>\u0101<\/span>vers<\/span>\u0101<\/span>re: speci<\/span>\u014d<\/span>sus aditus sed turpis et pr\u00e6ceps exitus (7).<\/span><\/span><\/p>\n
D<\/span>exter<\/span>\u0101 <\/span>ingredere, utut sp<\/span>\u012b<\/span>n<\/span>\u014d<\/span>sa (8) n<\/span>\u016b<\/span>lla via invia virt<\/span>\u016b<\/span>t<\/span>\u012b; <\/span>sequere, qu<\/span>\u014d <\/span>d<\/span>\u016b<\/span>cit virt<\/span>\u016b<\/span>s, per angusta, ad augusta, <\/span>ad arcem hon<\/span>\u014d<\/span>ris (9).<\/span><\/span><\/p>\n
Medium ten<\/span>\u0113 <\/span>et r<\/span>\u0113<\/span>ctum tr<\/span>\u0101<\/span>mitem: t<\/span>\u016b<\/span>tissimus <\/span>\u012b<\/span>bis. Cav<\/span>\u0113 <\/span>exc<\/span>\u0113<\/span>d<\/span>\u0101<\/span>s ad dextram (10). Affect<\/span>\u016b<\/span>s, equum fer<\/span>\u014d<\/span>cem (11), compesce fr<\/span>\u0113<\/span>n<\/span>\u014d <\/span>(12), n<\/span>\u0113 <\/span>pr<\/span>\u00e6<\/span>ceps f<\/span>\u012b\u0101<\/span>s.<\/span><\/span><\/p>\n
Cav<\/span>\u0113 <\/span>d<\/span>\u0113<\/span>fici<\/span>\u0101<\/span>s ad sinistram (13) s<\/span>\u0113<\/span>gniti<\/span>\u0113 <\/span>asin<\/span>\u012b<\/span>n<\/span>\u0101 <\/span>(14) sed pr<\/span>\u014d<\/span>gredere c<\/span>\u014d<\/span>nstanter, pertende ad f<\/span>\u012b<\/span>nem et cor<\/span>\u014d<\/span>n<\/span>\u0101<\/span>beris (15).<\/span><\/span><\/p>\n
Perge ad initium paginae huius<\/a><\/p>\n
Hisp\u0101nice<\/span><\/h2>\n
La \u00e9tica<\/span><\/p>\n
Esta vida es un camino, una bifurcaci\u00f3n de la letra pitag\u00f3rica Y. El camino de la izquierda es ancho (1), el de la derecha estrecho (2). Aqu\u00e9l es el del vicio (3); \u00e9ste, el de la virtud (4).<\/span><\/p>\n
\u00a1Presta atenci\u00f3n, joven! (5) Imita a H\u00e9rcules. Abandona la izquierda (6) y rechaza el vicio. La entrada es bonita, pero la salida es mala y un precipicio (7).<\/span><\/p>\n
Entra por la derecha, por espinosa (8) que sea no hay camino accidentado para la virtud. Contin\u00faa adonde te lleve la virtud, por lo dif\u00edcil a lo m\u00e1s grande, al alc\u00e1zar del honor (9).<\/span><\/p>\n
Ve por el camino recto y derecho e ir\u00e1s seguro. Ten cuidado no caigas a la derecha (10). Los sentimientos, caballo salvaje (11), contr\u00f3lalos con el freno (12) para no caer por el barranco.<\/span><\/p>\n
Cuida de no caer hacia la izquierda (13) con la torpeza asnal (14), avanza con constancia, persevera hasta el final y te coronar\u00e1s (15).<\/span><\/p>\n
Perge ad initium paginae huius<\/a><\/p>\n
\u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ac<\/span><\/span><\/h2>\n
\u1f29 \u1f20\u03b8\u03b9\u03ba\u03ae<\/span><\/p>\n
\u039f\u1f57\u03c4\u03bf\u03c2 \u1f41 \u03b2\u03af\u03bf\u03c2 \u1f10\u03c3\u03c4\u03b9 \u1f41\u03b4\u03cc\u03c2, \u03b4\u03af\u03bf\u03b4\u03bf\u03c2 \u1f61\u03c2 \u03c4\u1f78 \u03b3\u03c1\u03ac\u03bc\u03bc\u03b1 \u03c0\u03c5\u03b8\u03b1\u03b3\u03cc\u03c1\u03b5\u03b9\u03bf\u03bd \u03a5. \u1f29 \u03bc\u1f72\u03bd \u1f41\u03b4\u03cc\u03c2 \u03c4\u1fc6\u03c2 \u1f00\u03c1\u03b9\u03c3\u03c4\u03b5\u03c1\u1fb6\u03c2 \u03c0\u03bb\u03b1\u03c4\u03b5\u1fd6\u03ac \u1f10\u03c3\u03c4\u03b9 (1), \u1f21 \u03b4\u1f72 \u03c4\u1fc6\u03c2 \u03b4\u03b5\u03be\u03b9\u1fb6\u03c2, \u03c3\u03c4\u03b5\u03bd\u03ae (2). \u1f18\u03ba\u03b5\u03af\u03bd\u03b7 \u03bc\u1f72\u03bd \u03c4\u1fc6\u03c2 \u03ba\u03b1\u03ba\u03af\u03b1\u03c2 (3), \u03b1\u1f55\u03c4\u03b7 \u03b4\u1f72 \u03c4\u1fc6\u03c2 \u1f00\u03c1\u03b5\u03c4\u1fc6\u03c2 (4).<\/span><\/p>\n
\u03a0\u03c1\u03cc\u03c3\u03b5\u03c7\u03b5 \u03c4\u1f78\u03bd \u03bd\u03bf\u1fe6\u03bd, \u1f66 \u03bd\u03b5\u03b1\u03bd\u03af\u03b1! (5). \u03a4\u1f78\u03bd \u1f29\u03c1\u03b1\u03ba\u03bb\u1f74\u03bd \u03bc\u03b9\u03bc\u03bf\u1fe6. \u039b\u03b5\u1fd6\u03c0\u03b5 \u03c4\u1f74\u03bd \u1f00\u03c1\u03b9\u03c3\u03c4\u03b5\u03c1\u1f70\u03bd (6) \u03ba\u03b1\u1f76 \u1f00\u03c0\u03cc\u03c3\u03c4\u03c1\u03b5\u03c6\u03b5 \u03c4\u1f74\u03bd \u03ba\u03b1\u03ba\u03af\u03b1\u03bd. \u1f29 \u03bc\u1f72\u03bd \u03b5\u1f34\u03c3\u03bf\u03b4\u03bf\u03c2 \u03ba\u03b1\u03bb\u03ae \u1f10\u03c3\u03c4\u03b9, \u1f21 \u03b4\u2019 \u1f14\u03be\u03bf\u03b4\u03bf\u03c2 \u03ba\u03b1\u03ba\u1f74 \u03ba\u03b1\u1f76 \u03c0\u03b1\u03c1\u03b1\u03ba\u03c1\u03ae\u03bc\u03bd\u03bf\u03c2 (7).<\/span><\/p>\n
\u0395\u1f30\u03c3\u03b5\u03bb\u03b8\u1f72 \u03c4\u1fc7 \u03b4\u03b5\u03be\u03b9\u1fb7, \u03ba\u03b1\u03af\u03c0\u03b5\u03c1 \u1f00\u03ba\u03b1\u03bd\u03b8\u03ce\u03b4\u03b7\u03c2 \u03bf\u1f56\u03c3\u03b1 (8), \u03bc\u03b7\u03b4\u03b5\u03bc\u03af\u03b1 \u1f41\u03b4\u1f78\u03c2 \u1f00\u03b2\u03ac\u03c4\u03b7 \u03c4\u1fc7 \u1f04\u03c1\u03b5\u03c4\u1fc7. \u0394\u03b9\u03b1\u03c4\u03ad\u03bb\u03b5\u03b9 \u1f97 \u1f04\u03c1\u03c7\u1fc3 \u03c3\u03b5 \u1f21 \u1f00\u03c1\u03b5\u03c4\u03ae, \u03b4\u03b9\u1f70 \u03c4\u03bf\u1fe6 \u03c7\u03b1\u03bb\u03b5\u03c0\u03bf\u1fe6 \u03c0\u03c1\u1f78\u03c2 \u03c4\u1f78 \u03c3\u03b5\u03b2\u03b1\u03c3\u03c4\u03cc\u03c4\u03b1\u03c4\u03bf\u03bd, \u03c4\u1f74\u03bd. \u1f08\u03ba\u03c1\u03cc\u03c0\u03bf\u03bb\u03b9\u03bd \u03c4\u1fc6\u03c2 \u03c4\u03b9\u03bc\u1fc6\u03c2 (9).<\/span><\/p>\n
\u1f18<\/span>\u03bb\u03b8<\/span>\u1f72 \u03b4\u03b9\u1f70 \u03c4\u03c1\u03af\u03b2\u03bf\u03c5 \u03bc\u03ad\u03c3\u03bf\u03c5 <\/span>\u03ba\u03b1\u1f76 <\/span>\u1f40<\/span>\u03c1\u03b8\u03bf\u1fe6, <\/span>\u03ba\u03b1\u1f76 <\/span>\u1f00\u03ba\u03af\u03bd\u03b4\u03c5\u03bd\u03bf\u03c2 \u1f14\u03c1\u03be\u1fc3. <\/span>\u03a6<\/span>\u03c5\u03bb\u03ac\u03c4\u03c4\u03c9 \u03bc\u1f74 \u03c0\u03af\u03c0\u03c4\u1fc3 \u03b5\u1f30\u03c2 \u03b4\u03b5\u03be\u03b9\u1f70\u03bd <\/span>(10). \u03a4<\/span>\u1f70 \u03c0\u03b1\u03b8\u03ae\u03bc\u03b1\u03c4\u03b1, <\/span>\u1f35<\/span>\u03c0\u03c0\u03bf\u03bd \u1f04\u03b3\u03c1\u03b9\u03bf\u03bd <\/span>(11), <\/span>\u03ba\u03ac\u03c4\u03b5\u03c7\u03b5 \u03c7\u03b1\u03bb\u03b9\u03bd<\/span>\u1ff7 (12), <\/span>\u1f35<\/span>\u03bd\u03b1 \u03bc\u1f74 \u03c0\u03b1\u03c1\u03ac\u03ba\u03c1\u03b7\u03bc\u03bd\u03bf\u03c2 \u03b3\u03af\u03b3\u03bd\u1fc3.<\/span><\/span><\/p>\n
\u03a6<\/span>\u03c5\u03bb\u03ac\u03c4\u03c4\u03c9 \u03bc\u1f74 \u1f10\u03bb\u03bb\u03b5\u03af\u03c0\u1fc3 \u03b5\u1f30\u03c2 \u1f00\u03c1\u03b9\u03c3\u03c4\u03b5\u03c1\u1f70\u03bd <\/span>(13) \u1fe5<\/span>\u03b1\u03b8\u03c5\u03bc\u03af\u1fb3 <\/span>\u1f40<\/span>\u03bd\u03ce\u03b4\u1fc3 <\/span>(14), <\/span>\u1f00\u03bb\u03bb\u1f70 \u03c0\u03c1\u03bf\u03c3\u03b5\u03bb\u03b8\u03ad \u03b5\u1f50\u03c3\u03c4\u03b1\u03b8\u1ff6\u03c2, \u03c4\u03b7\u03c1\u03bf\u1fe6\u03bd \u03c4\u1f78 \u03c4\u03ad\u03bb\u03bf\u03c2, <\/span>\u03ba\u03b1\u1f76 <\/span>\u03c3\u03c4\u03b5\u03c6\u03b1\u03bd\u03c9\u03b8\u03ae\u03c3\u03b7 <\/span>(15).<\/span><\/span><\/p>\n
Perge ad initium paginae huius<\/a><\/p>\n
Deutsch<\/span><\/span><\/h2>\n
Die Sittenlehre<\/span><\/p>\n
Dieses Leben ist ein Weg; oder ein Scheidweg gleich dem Buchstaben des Pythagoras Y; dessen linker Fu\u00dfsteig breit <\/span>(1), <\/span>der rechte \u00e4ng <\/span>(2) <\/span>ist: jener ist des Lasters <\/span>(<\/span>3<\/span>) <\/span>dieser der Tugend Steig <\/span>(4).<\/span><\/span><\/p>\n
Merk auf J\u00fcngling! <\/span>(5) <\/span>ahme nach dem Hercules. Verla\u00df den zur Linken <\/span>(6) <\/span>hasse das Laster: es ist ein sch\u00f6ner Eingang aber ein sch\u00e4ndlicher und g\u00e4her Ausgang <\/span>(7).<\/span><\/span><\/p>\n
Wandle zur Rechten ob es schon dornicht <\/span>(8) <\/span>ist: kein Weg ist der Tugend unwegsam; Folge wohin dich die Tugend f\u00fchret durch die \u00e4nge zum Gepr\u00e4nge zum Schlo\u00df der Ehren <\/span>(9).<\/span><\/span><\/p>\n
Halt die Mittelbahn und den geraden Steig: so gehest du am sichersten. Sihe zu da\u00df du nit austretest zur Rechten: <\/span>(10) <\/span>die Gem\u00fctsneigungen das unb\u00e4ndige Pferd <\/span>(11) <\/span>z\u00e4hme und z\u00e4ume <\/span>(12) <\/span>da\u00df du nit st\u00fcrtzest.<\/span><\/span><\/p>\n
Sihe da\u00df du nit abtretest zur Linken <\/span>(13) <\/span>in Eselhaffter Faulheit: <\/span>(14) <\/span>sondern rucke fort beharrlich \/<\/span><\/span><\/p>\n
dringe zum Ende; so wirst du gekr\u00f6nt werden <\/span>(15)<\/span>.<\/span><\/span><\/p>\n
Perge ad initium paginae huius<\/a><\/p>\n
English<\/span><\/span><\/h2>\n
Moral Philosophy<\/span><\/p>\n
This Life is a way, or a place divided into two ways, like Pythagoras\u2019s Letter Y. Broad, <\/span>(1) <\/span>on the left hand track; narrow, <\/span>(2). O<\/span>n the right; that belongs to Vice, <\/span>(3) <\/span>this to Vertue <\/span>(4)<\/span>.<\/span><\/span><\/p>\n
Mind, Young Man, (5) imitate Hercules: leave the left hand way, (6) turn from Vice; the Entrance, is fair, but the End, is ugly and steep down (7).<\/span><\/p>\n
Go on the right hand, though it be thorny, (8) no way is unpassible to vertue; follow whither vertue leadeth through narrow places to stately palaces, to the Tower of honour (9).<\/span><\/p>\n
Keep the middle and streight path, and thou shalt go very safe. Take heed thou do not go too much on the right hand <\/span>(10). <\/span>Bridle in, the wild Horse <\/span>(11)<\/span> of Affection, <\/span>(12)<\/span> lest thou fall down headlong.<\/span><\/span><\/p>\n
See thou dost not go amiss on the left hand <\/span>(13) <\/span>in an ass-like sluggishness, <\/span>(14) <\/span>but go onwards constantly, persevere to the end, and thou shalt be crown\u2019d <\/span>(15).<\/span><\/span><\/p>\n
Perge ad initium paginae huius<\/a><\/p>\n
Glosa<\/span><\/h1>\n
EN CONSTRVCCION<\/strong><\/span><\/p>\n
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EN CONSTRVCCION<\/strong><\/span><\/p>\n
Perge ad initium paginae huius<\/a><\/p>\n
Fuente<\/span><\/h1>\n
Las versiones latina, griega e hisp\u00e1nica son obra de <\/span>Alvarus Alonsus Matritensis en su magn\u00edfica edici\u00f3n <\/span>del <\/span>Orbis sensualium pictus<\/i><\/span><\/strong><\/a> (<\/span>165<\/span>8) de <\/span>Juan Amos <\/span>Comenio<\/span><\/a>: <\/span>El mundo sensible ilustrado \/ Orbis S\u0113nsu\u0101lium Pictus<\/i><\/span> (<\/span>Torino: Alvarus Alonsus Matritensis \/ Amazon Italia Logistica, 2022<\/span>). <\/span>Este <\/span>vol\u00famen <\/span>forma parte del <\/span>formidable <\/span>proyecto <\/span>Comenius Trilinguis<\/span><\/a>. <\/span>Encomiamos a <\/span>adquirir un ejemplar<\/span><\/a>.<\/span><\/span><\/p>\n
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La versi\u00f3n alemana la tomamos de nuestra web hermana <\/span>Wikisource<\/span>:<\/span> Orbis sensualium pictus<\/i><\/span><\/a> (N\u00fcrnberg: Michael Endter, 1658)<\/span>.<\/span><\/span><\/p>\n
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La versi\u00f3n inglesa es edici\u00f3n del Proyecto Gutenberg que digitaliza la edici\u00f3n de C. W. Bardeen: The Orbis Pictus of John Amos Comenius<\/i><\/a> (Syracuse [NY]: C. W. Bardeen Publisher, 1887).<\/span><\/p>\n
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Perge ad initium paginae huius<\/a><\/p>\n
Tem\u00e1tica<\/span><\/h1>\n
\u00c9tica<\/p>\n
Virtud<\/a><\/p>\n
Pinax<\/a><\/p>\n
Tabula de Cebes<\/p>\n
Y Pitag\u00f3rica<\/p>\n
Perge ad initium paginae huius<\/a><\/p>\n
I\u016bra<\/span><\/h1>\n
Edici\u00f3n de \u0100trium Philosophicum<\/em> (CC) 2025 bas\u00e1ndonos en las fuentes mencionadas.<\/span><\/p>\n
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<\/p>\n
Perge ad initium paginae huius<\/a><\/p>\n
Para quedar en papel<\/span><\/h1>\n
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CEBES TEBANO, pseudo [\u039a\u03ad\u03b2\u03b7\u03c2 \u0398\u03b7\u03b2\u03b1\u1fd6\u03bf\u03c2 \/ Anonymous qui \u03a0\u03af\u03bd\u03b1\u03be (Tabula) scripsit], \u00abTabla de Cebes\u00bb, en VV. AA. (PSEUDO CEBES \/ MUSONIO RUFO \/ EPICTETO). Tabla de Cebes \u2013 Disertaciones (de Musonio Rufo) \u2013 Fragmentos menores (de Musonio Rufo) \u2013 Manual (de Epicteto) \u2013 Fragmentos (de Epicteto),<\/b><\/i> Madrid: Gredos, (colecci\u00f3n: \u00abBiblioteca Cl\u00e1sica Gredos\u00bb, n.\u00ba 207), 1995, 250 pp. [Introducciones, traducci\u00f3n y notas de Paloma Ort\u00edz Garc\u00eda. Siguiendo la edici\u00f3n de C. Praechter para la Tabla de Cebes (K\u00e9betos P\u00ednax. Cebetis Tabula, Leipzig, [\u00abBibliotheca Teubneriana\u00bb], 1893). Para los textos de Musonio Rufo se sigue la ed. cr\u00edtica de O. Hense en la \u00abBibliotheca Teubneriana\u00bb (C. Mvsonii Rvfi Reliqviae, Lipsiae, 1905); para colmar la laguna existente entre los frag. XVa y XVb se ha considerado la versi\u00f3n en ed. biling\u00fce (griego-ingl\u00e9s) de C. E. Lutz (Yale Classical Studies 1947, 31-147, comprendida dentro del art\u00edculo \u201cMusonius Rufus, the \u2018Roman Socrates\u2019\u201d, basado en el papiro Rendel Harris I. Para el Manual de Epicteto, se sigue la ed. biling\u00fce (griego-ingl\u00e9s) de W. A. Oldfather en la \u201cLoeb Classical Library\u201d (Epictetus. The Discourses as reported by Arrian, the Manual and Fragments with an English Translation by…, Cambridge [Mass.] \/ Londres, 1979 (reimpr. de la ed. de 1925). Para los \u00abFragmentos\u00bb de Epicteto, se sigue la edici\u00f3n de Jord\u00e1n de Urr\u00edes (Platicas por Arriano. Obra completa, edici\u00f3n biling\u00fce, Barcelona: Alma Mater, 1948, 4 vols.). Seg\u00fan las normas de la B. C. G., la traducci\u00f3n de este volumen ha sido revisada por Daniel Ria\u00f1o Rufilanchas. ISBN: 84-249-1689-1]<\/span><\/li>\n
CEBES TEBANO, pseudo [\u039a\u03ad\u03b2\u03b7\u03c2 \u0398\u03b7\u03b2\u03b1\u1fd6\u03bf\u03c2 \/ Anonymous qui \u03a0\u03af\u03bd\u03b1\u03be (Tabula) scripsit], \u039a\u0395\u0392\u0397\u03a4\u039f\u03a3 \u03a0\u0399\u039d\u0391\u039e. Cebetis Tabula. Recensuit Carolus Praechter<\/b><\/i>, Lipsiae: in Aedibus B. G. Teubneri, (collection: \u00abBibliotheca Scriptorum Graecorum et Romanorum Teubneriana\u00bb), 1893, 38 pp. (+ xii pp. Prel.)<\/span><\/li>\n
COMENIO, Juan Am\u00f3s [Johannes Amos COMENIUS]. El mundo sensible ilustrado \/ Orbis S<\/b><\/i>\u0113<\/b><\/i><\/span>nsu<\/b><\/i>\u0101<\/b><\/i><\/span>lium Pictus. Trilingu<\/b><\/i>is<\/b><\/i>. Latin\u00e8, Grec\u00e8, Hispanic\u00e8<\/b><\/i>, Torino: Alvarus Alonsus Matritensis \/ Amazon Italia Logistica, 2022, 489 pp. (+ xxx pp.) [Editado y traducido por Alvarus Alonsus Matritensis: \u00c1lvaro Alonso N\u00fa\u00f1ez. Contiene \u00edndices en Griego, Lat\u00edn y Castellano. ISBN: 978-84-09-34882-4]<\/span><\/li>\n
CORROZET, Gilles. L\u2019Hecatongraphie (1544) & Les emblemas du Tableau de Cebes (1543). Avec une \u00e9tude critique par Alison Adams<\/b><\/i>, Gen\u00e8ve : Droz, (Collection : \u00ab Textes litt\u00e9raires Francais \u00bb, n.\u00ba 480), 1997, 408 pp. [Reproducci\u00f3n facsimilar de las ediciones de L\u2019Hecatongraphie (Paris: Denis Janot, [1544]) y de Les Emblemes du Tableau de Cebes (Paris: Janot, 1543), comentados en edici\u00f3n cr\u00edtica y con \u00edndices]<\/span><\/li>\n
VAENIUS, Otto [Otto Vaan Veen]. Theatro moral de la vida humana en cien emblemas; con el Enchiridi\u00f3n de Epicteto, y la Tabla de Cebes, philosopho platonico<\/b><\/i>, Amberes: Henrico y Cornelio Verdussen, 1701, 316 pp. [Representa una nueva edici\u00f3n del Theatro moral 1669, manteniendo el nuevo orden de los emblemas, la trad. del Enchiridion, con el a\u00f1adido de la traducci\u00f3n realizada hacia 1534 por Ambrosio de Morales de la Tabla de Cebes, que public\u00f3 originalmente con la obras de si t\u00edo, Fern\u00e1n P\u00e9rez de Oliva, en 1586]<\/span><\/li>\n<\/ul>\n
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