\u00abSobre la Apolog\u00eda de S\u00f3crates y el Crit\u00f3n de Plat\u00f3n\u00bb \/ II<\/span><\/p>\n Le\u014dnardus Str\u016bthi\u014d (1899-1973)<\/span><\/p>\n \u0112RVD\u012aTI\u014cRIBVS<\/span> ***<\/a><\/strong><\/span><\/p>\n\n II<\/span><\/strong><\/p>\n Mientras que la Apolog\u00eda de S\u00f3crates<\/em> es la<\/em> conversaci\u00f3n p\u00fablica de S\u00f3crates, desarrollada a pleno d\u00eda con la ciudad de Atenas, el Crit\u00f3n<\/em> presenta una conversaci\u00f3n que, aislado como estaba de toda compa\u00f1\u00eda, mantuvo en la m\u00e1s estricta privacidad con su m\u00e1s viejo amigo.<\/span><\/p>\n Al comienzo del di\u00e1logo (cf. 44a7-8<\/a>), S\u00f3crates duerme profundamente y sue\u00f1a con una mujer hermosa y bien formada que est\u00e1 vestida \u2014nos enteramos incluso del color de sus ropas\u2014 y lo llama para decirle que \u00abal tercer d\u00eda [\u00e9l] ir\u00e1 a la muy f\u00e9rtil Ft\u00eda<\/a>\u00bb. Despierta y mantiene la conversaci\u00f3n con Crit\u00f3n<\/a>, que culmina en la \u03c0\u03c1\u03bf\u03c3\u03c9\u03c0\u03bf\u03c0\u03bf\u03b9\u03af\u03b1 (prosopopoiia<\/em>; prosopopeya<\/a>) de las leyes de Atenas. Lo que las Leyes le han hecho lo reduce nuevamente a un estado de casi somnolencia, en el que puede o\u00edr tan poco de lo que Crit\u00f3n o cualquier otro pueda decir como en su estado inicial. Sin embargo, mientras que el estado en que se hallaba al comienzo era tranquilo y pac\u00edfico, su estado final es comparable al de las personas pose\u00eddas por el frenes\u00ed corib\u00e1ntico<\/a>, que creen o\u00edr flautas, en el cual los discursos que ha o\u00eddo de las Leyes resuenan con violencia en su interior.<\/span><\/p>\n Perge ad sequ\u0113ns caput<\/a><\/p>\n Redde ad prius caput<\/a><\/p>\n Perge ad initium paginae huius<\/a><\/p>\n Perge ad indicem<\/a><\/p>\n II<\/span><\/strong><\/p>\n While the Apology of Socrates<\/i> is the<\/i> public conversation of Socrates carried on in broad daylight with the city of Athens, the Crito<\/i> presents a conversation which he had in the strictest privacy, secluded as he was from everyone else by the prison walls, with his oldest friend.<\/span><\/p>\n At the beginning of the dialogue (cf. 44a7-8<\/a>) Socrates is in profound sleep, dreaming of a beautiful and well shaped woman who is clothed<\/span>\u2014<\/span><\/strong>we learn even the colour of her clothes<\/span>\u2014<\/span><\/strong>and who calls him and says that \u201con the third day <\/span>[he]<\/span> would come to the most fertile <\/span>Phthia<\/span><\/a>.\u201d He awakens and has his conversation with <\/span>Kriton<\/span> which culminates in the \u03c0\u03c1\u03bf\u03c3\u03c9\u03c0\u03bf\u03c0\u03bf\u03b9\u03af\u03b1 <\/span>(<\/span>prosopopoiia<\/i><\/span><\/a>)<\/span> of the laws of Athens. What the Laws are made to tell him reduces him again to a quasi-somnolent state<\/span>\u2014<\/span><\/strong>a state in which he can as little hear what Kriton or anyone else may say as he could in the state in which he was at the beginning. Yet while the state in which he was at the beginning was tranquil and peaceful, at the end he is in a state which is comparable to that of people filled with <\/span>Korybantic<\/span><\/a> frenzy who believe that they hear flutes, and in which the speeches he has heard from the Laws make a booming noise in him.<\/span><\/span><\/p>\n Perge ad sequ\u0113ns caput<\/a><\/p>\n Redde ad prius caput<\/a><\/p>\n Perge ad initium paginae huius<\/a><\/p>\n Perge ad indicem<\/a><\/p>\n El texto en lengua inglesa fue publicado de manera p\u00f3stuma en un volumen en honor al prof. Jacob Klein: Essais in Honor of Jacob Klein<\/em> (Annapol\u012b, \u0113 Typographe\u014d Acad\u0113m\u012bae S\u0101nct\u012b I\u014dhannis MCMLXXVI). Aunque nosotros tomamos como base lo aparecido en una antolog\u00eda dedicada a escritos del prof. Str\u016bthi\u014d en ingl\u00e9s en 1983: Studies in Platonic Political Philosophy<\/em> (Sicag\u012b, \u0113 Typographe\u014d \u016aniversit\u0101tis Sicag\u012b MCMLXXXIII). La versi\u00f3n castellana es obra de Aemilia Aquad\u012bs, aparecida en la traducci\u00f3n del volumen mencionado anteriormente (Bon\u0101eropol\u012b, \u0113 Typographe\u014d Am\u014drrort\u012b MMVIII). La publicaci\u00f3n de estos fragmentos promueve la difusi\u00f3n en castellano de la obra del profesor Le\u014dnardus Str\u016bthi\u014d con fines acad\u00e9micos y de formaci\u00f3n. Conminamos a visitar su biblioteca m\u00e1s cercana o adquirir el volumen f\u00edsico en su librer\u00eda de confianza.<\/span><\/p>\n Perge ad sequ\u0113ns caput<\/a><\/p>\n Redde ad prius caput<\/a><\/p>\n Perge ad initium paginae huius<\/a><\/p>\n![\"\"](\"https:\/\/atriumphilosophicum.es\/wp-content\/uploads\/2025\/10\/Leo_Strauss_USA_1939-239x300.jpg\")
<\/p>\nVersi\u014d hisp\u0101nica Aemili\u0101 Aquad\u012bt\u012b auctr\u012bce 23<\/span><\/h1>\n
Le\u014dnard\u012b Str\u016bthi\u014dnis verba 23<\/h1>\n
I\u016bra<\/span><\/h1>\n
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